{"id":67,"date":"2020-02-09T20:48:52","date_gmt":"2020-02-09T20:48:52","guid":{"rendered":"http:\/\/hughwalpole.org\/?page_id=67"},"modified":"2026-10-21T09:58:17","modified_gmt":"2026-10-21T09:58:17","slug":"the-hugh-walpole-review","status":"publish","type":"page","link":"https:\/\/hughwalpole.org\/index.php\/the-hugh-walpole-review\/","title":{"rendered":"The Hugh Walpole Review"},"content":{"rendered":"\n

The Society publishes two issues of The Hugh Walpole<\/em> Review<\/em> (ISSN 2633-8831) a year (Spring and Autumn). <\/p>\n\n\n\n

The Hugh Walpole Review<\/em> is intended to function as a combination of an academic journal and a newsletter. The content is broad and features a mix of material following distinct approaches and tones.<\/p>\n\n\n\n

The Review <\/em>is free to members of the Society. Individual copies are not available for sale until the year following publication.<\/p>\n\n\n\n

Contributions to the Review<\/em> and correspondence relating to the Society may be sent to the Editor at hughwalpolesociety@gmail.com.<\/p>\n\n\n\n

<\/p>\n\n\n\n

\n

2026<\/strong><\/p>\n<\/div>\n\n\n\n

Vol. 7, No. 2, <\/strong>Autumn 2026<\/strong><\/p>\n\n\n\n

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The Old Ladies<\/em> on Stage \u2013 Andrew Maunder<\/em><\/p>\n\n\n\n

The Vagaries of Literary Fame \u2013 George Gorniak<\/em><\/p>\n\n\n\n

John O\u2019London\u2019s<\/em> Weekly<\/em>\u2019s 1000th Number \u2013 Nicholas Redman<\/em><\/p>\n\n\n\n

Letters from Lord Alfred \u2013 John Cameron Hartley<\/em><\/p>\n\n\n\n

Jane Austen, Walpole\u2019s True and Rewarding Friend \u2013 Nicholas Redman<\/em><\/p>\n\n\n\n

Glimpses of Glebeshire \u2013 David Cowperthwaite<\/em><\/p>\n\n\n\n

Reader Reports from the Archives of Elstree Studios \u2013 Rod Boroughs<\/em><\/p>\n\n\n\n

Virginia Woolf and the Femina Prize \u2013 Nicholas Redman<\/em><\/p>\n\n\n\n

Walpole, PiC and Me \u2013 Ellen Cutler<\/p>\n\n\n\n

Walpole\u2019s Doctor Dolittle<\/em> Preface, with Some Thoughts on the Life and Writings of Hugh Lofting \u2013 Kathy Lewin<\/em><\/p>\n\n\n\n

The Mystery of the Missing Stone Seat \u2013 Nicholas Redman<\/em><\/p>\n\n\n\n

Charles B. Cochran, a Radio Debate and Above the Dark<\/em> Circus<\/em> \u2013 John Cameron Hartley<\/em><\/p>\n\n\n\n

Lotty\u2019s Visit to Grandmama<\/em>: Walpole\u2019s First Ecstasy from a Book \u2013 Nicholas Redman<\/em><\/p>\n\n\n\n

Review: The Old Ladies<\/em> at the Finborough Theatre \u2013 Mark Egerton<\/em><\/p>\n\n\n\n

Walpoliana<\/p>\n\n\n\n

What is Real to Me \u2026 ,<\/em> by Hugh Walpole (John O\u2019London\u2019s Weekly<\/em>, 10 June 1938)<\/p>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

Vol. 7, No. 1, Spring 2026<\/strong><\/p>\n\n\n\n

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The Funeral of Hugh Walpole \u2013 Nicholas Redman<\/em><\/p>\n\n\n\n

Treasures of the Walpole Library, by Arnold Varty<\/p>\n\n\n\n

Dr Dorothea Walpole\u2019s \u2018Walpole Corner\u2019 at Keswick Museum \u2013 Nicholas Redman<\/em><\/p>\n\n\n\n

Chess playing and the Keswick Chess Club \u2013 Nicholas Redman<\/em><\/p>\n\n\n\n

The Institute of Journalists at Brackenburn, 1938 \u2013 Nicholas Redman<\/em><\/p>\n\n\n\n

The Society\u2019s Visit to Keswick, 19 March 2026 \u2013 Rod Boroughs<\/em><\/p>\n\n\n\n

Uhland and the Barguest: Disability and Monsters in The Fortress <\/em>\u2013 John Cameron Hartley<\/em><\/p>\n\n\n\n

Hugh Walpole at Macmillan, by Charles Morgan<\/p>\n\n\n\n

From Waverley to Herries \u2013 George Gorniak<\/em><\/p>\n\n\n\n

Walpole\u2019s Stage Adaptation of The Cathedral <\/em>\u2013 Nicholas Redman<\/em><\/p>\n\n\n\n

First Encounters with Hugh Walpole, No. 6 \u2013 John Cameron Hartley<\/em><\/p>\n\n\n\n

In Other News:<\/em> Academic Studies featuring Walpole \u2013 John Cameron Hartley<\/em><\/p>\n\n\n\n

Review: Gifts for My Friends and Other Stories<\/em> by Hugh Walpole\u2013Mark Egerton      <\/em><\/p>\n\n\n\n

Walpoliana<\/p>\n\n\n\n

The Lake \u2013 John Cameron Hartley<\/em><\/p>\n\n\n\n

The Crystal Box<\/em>: Manuscript, Serialisation, Book \u2013 and an Unpublished Chapter \u2013 Peter Henderson<\/em><\/p>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

2025<\/strong><\/p>\n\n\n\n

Vol. 6, No. 1, Spring 2025<\/strong><\/p>\n\n\n\n

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\u2018Decent Murders\u2019 and the World Turned Upside Down \u2013 John Cameron Hartley<\/em><\/p>\n\n\n\n

The Origins of Hugh Walpole\u2019s Obsession with Walter Scott: Variations on a Theme \u2013 Peter Henderson<\/em><\/p>\n\n\n\n

First Encounters with Hugh Walpole, No. 3 \u2013 Richard Hughes<\/em><\/p>\n\n\n\n

Hugh Walpole and T.E. Lawrence\u2019s Seven Pillars of Wisdom \u2013<\/em> John Saunders<\/em><\/p>\n\n\n\n

Hugh Walpole at Durham School \u2013 Nicholas Redman<\/em><\/p>\n\n\n\n

Extracts from a Diary<\/em>: A Numbers Hunt \u2013 Tim Kitchen<\/em><\/p>\n\n\n\n

The 90th Anniversary of Walpole House at the King\u2019s School, Canterbury \u2013 Peter Henderson<\/em><\/p>\n\n\n\n

First Encounters with Hugh Walpole, No. 4 \u2013 The Revd Godfrey Holdstock      <\/em><\/p>\n\n\n\n

Portrait of a Book Collector in Hollywood \u2013 Rod Boroughs<\/em><\/p>\n\n\n\n

Walpoliana<\/p>\n\n\n\n

Hugh Walpole, \u2018It May Be a Mania \u2026 Some Random Memories of a Book Collector\u2019, Book Society News<\/em>, 1938<\/p>\n<\/div>\n<\/div><\/div>\n\n\n\n

<\/p>\n\n\n\n

Vol. 6, No. 2, Autumn 2025<\/strong><\/p>\n\n\n\n

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Walpole\u2019s Queer Gothic: The Terror inMr Perrin and Mr Traill \u2013 Carolyn Owen-King<\/em><\/p>\n\n\n\n

The Manuscript of A Prayer for My Son \u2013<\/em><\/em> Peter Henderson<\/em><\/p>\n\n\n\n

Time and the Herries \u2013<\/em><\/em> John Cameron Hartley<\/em>  <\/p>\n\n\n\n

Hugh Walpole and Sir Walter Scott \u2013<\/em><\/em> Nicholas Redman <\/em> <\/p>\n\n\n\n

Archives and Echoes: Epsom College and the Hugh Walpole Society \u2013<\/em><\/em> Rebecca Jallot <\/em> <\/p>\n\n\n\n

First Encounters with Hugh Walpole, No. 5 \u2013<\/em><\/em> Kathy Lewin  <\/em><\/p>\n\n\n\n

A Speech Day Poem, Durham School, 1939 \u2013<\/em><\/em> Anonymous<\/em><\/p>\n\n\n\n

The Wrestler who landed in Hugh Walpole\u2019s Lap \u2013<\/em> John Cameron Hartley<\/em><\/p>\n\n\n\n

Roman Fountain<\/em>: In the Footsteps of Hugh Walpole \u2013<\/em> The Revd Godfrey Holdstock  <\/em><\/p>\n\n\n\n

The New Yorker <\/em>rediscovers Hugh Walpole \u2013<\/em> Rod Boroughs <\/em> <\/p>\n\n\n\n

The Story of the Steam Trawler Hugh Walpole<\/em> \u2013<\/em><\/em> Nicholas Redman<\/em><\/p>\n\n\n\n

Review: Recommended!<\/em> by Nicola Wilson – George Gorniak<\/em><\/p>\n\n\n\n

Walpoliana<\/p>\n\n\n\n

Hugh Walpole, Behind the Screen<\/em>, Episode I, The Listener<\/em>, 18 June 1930. Introduction by Nicholas Redman<\/p>\n<\/div>\n\n\n\n

<\/p>\n\n\n\n

2024<\/strong><\/p>\n\n\n\n

Vol. 5, No. 1, Spring 2024<\/strong><\/p>\n\n\n\n

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Critical Mass \u2026 or a Humble Response – John Cameron Hartley<\/em><\/p>\n\n\n\n

Charles Nugent and the Hugh Walpole Society – Nicholas Redman<\/em><\/p>\n\n\n\n

When Hugh met Harold \u2013 the Beginning of an Ideal Friendship – Rod Boroughs<\/em><\/p>\n\n\n\n

First Encounters with Hugh Walpole – George Gorniak<\/em><\/p>\n\n\n\n

Clemence Dane\u2019s The Moon is Feminine<\/em> \u2013 a Belated Addition to the Hugh Walpole Collection – Peter Henderson<\/em><\/p>\n\n\n\n

A Novel Collector \u2013 the Legacy left by Art Collector and Novelist Hugh Walpole – Michael Prodger<\/em><\/p>\n\n\n\n

J.B. Priestley on Walpole\u2019s Art Collection – Nicholas Redman<\/em><\/p>\n\n\n\n

Hiding in Plain Sight \u2013 Walpole\u2019s Self-portraits in his Fiction – John Cameron Hartley<\/em><\/p>\n\n\n\n

The Society\u2019s Visit to Emmanuel College, Cambridge, 14 October 2023 – Rod Boroughs<\/em><\/p>\n\n\n\n

Walpole\u2019s Lions – Nicholas Redman<\/em><\/p>\n\n\n\n

Jorge Luis Borges \u2013 Walpole\u2019s unlikeliest fan? – John Cameron Hartley<\/em><\/p>\n\n\n\n

Hugh Walpole, The Golden Scarecrow<\/em>, and the \u2018horrible frontispiece\u2019- Nicholas Redman<\/em><\/p>\n\n\n\n

Review: Red Amber and Other Stories<\/em> by Hugh Walpole – Grevel Lindop<\/em><\/p>\n\n\n\n

Walpoliana<\/p>\n\n\n\n

Mr Walpole, Guest Editor, The Golden Book Magazine<\/em>, December 1933 – Mark Egerton<\/em><\/p>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

Vol. 5, No. 2, Autumn 2024<\/strong><\/p>\n\n\n\n

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\u2018The Most Perfect Place\u2019 \u2013 Walpole\u2019s Polperro – Nicholas Redman<\/em><\/p>\n\n\n\n

A Circus of Speculation or the Elephant in the Room – John Cameron Hartley<\/em><\/p>\n\n\n\n

First Encounters with Hugh Walpole, No. 2 – Diana Durden<\/em><\/p>\n\n\n\n

The Dreamworld Narratives of Edgar Allan Poe and Hugh Walpole – George Gorniak<\/em><\/p>\n\n\n\n

\u2018A little token of esteem\u2019 from the Institute of Journalists – Nicholas Redman<\/em><\/p>\n\n\n\n

Walpole Memorabilia in the Cheevers\u2019 Family Collection – Tim Cheevers<\/em><\/p>\n\n\n\n

A Public Lecture \u2018in the Time of Bombing\u2019 – Nicholas Redman<\/em><\/p>\n\n\n\n

An Update on Epsom College – Rebecca Worthy      <\/em> <\/p>\n\n\n\n

John Cornelius and the Sotheran\u2019s Bookshop Window – Nicholas Redman <\/em>         <\/p>\n\n\n\n

\u2018The Man Without Red Hair\u2019. Interview with Hugh Walpole by Henry Albert Phillips. The Dearborn Independent<\/em>, 1 May 1926<\/p>\n\n\n\n

\u2018Polchester \u2013 Dream City\u2019, by F.L. Black. Mapped by Paul Honor\u00e9. The Dearborn Independent<\/em>, 20 August 1927<\/p>\n<\/div>\n\n\n\n

<\/p>\n\n\n\n

2023<\/strong><\/p>\n\n\n\n

Vol. 4, No. 1, Spring 2023<\/strong><\/p>\n\n\n\n

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A Guide to the Locations of the London Novels – Diana Durden<\/em><\/p>\n\n\n\n

Hugh Walpole’s London Homes – Nicholas Redman<\/em><\/p>\n\n\n\n

The Strange Case of Mr Perrin and Mr Traill<\/em> – John Cameron Hartley<\/em><\/p>\n\n\n\n

How I became a Walpole Collector – and started the first Hugh Walpole Society – Ann Bolam<\/em><\/p>\n\n\n\n

The Story of Walpole’s Bogus Blue Plaque – Rod Boroughs<\/em><\/p>\n\n\n\n

Working in Hollywood: A Comparative Study of James Hilton and Other English Novelists – Richard Hughes<\/em><\/p>\n\n\n\n

Hugh Walpole and Epsom – Nicholas Redman<\/em><\/p>\n\n\n\n

An Inventory of Copies of The Crystal Box<\/em> – Charles Nugent<\/em><\/p>\n\n\n\n

Books Dedicated to Hugh Walpole – Nicholas Redman<\/em><\/p>\n\n\n\n

The Second Time as Farce: Michael Frayn puts Hugh Walpole on the Stage – John Cameron Hartley<\/em><\/p>\n\n\n\n

Reginald Eves’s Three Portraits of Hugh Walpole – Nicholas Redman<\/em><\/p>\n\n\n\n

Walpoliana<\/p>\n\n\n\n

Hugh Walpole ‘Novelists’ Own Cottages – 4′, The Countryman<\/em>, 1934. (Followed by Arnold Bennett’s comment on Walpole’s decision to move to the Lakes, and Walpole’s response.)<\/p>\n\n\n\n

An Invitation to the Hugh Walpole Society London Walking Tour – Saturday 3 June 2023 – Nicholas Redman<\/em><\/p>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

Vol. 4, No. 2, Autumn 2023<\/strong><\/p>\n\n\n\n

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Looking for Zanti – John Cameron Hartley<\/em><\/p>\n\n\n\n

From \u2018Dear Mr Walpole\u2019 and \u2018Dear Miss Dane\u2019 to \u2018My Dear Hugh\u2019 and \u2018Dearest Winifred\u2019: the Friendship of Clemence Dane and Hugh Walpole – Rose Collis<\/em><\/p>\n\n\n\n

Joyce Elliot, a World War II Evacuee in Brackenburn – Dee MacLean<\/em><\/p>\n\n\n\n

Hugh Walpole and the Queen Anne Style – Timothy Brittain-Catlin<\/em><\/p>\n\n\n\n

A Postscript to the Series considering Walpole\u2019s Critical Reputation – Mark Egerton<\/em><\/p>\n\n\n\n

More Books Dedicated to Hugh Walpole – Nicholas Redman<\/em><\/p>\n\n\n\n

Hugh Walpole and the 1937 Coronation – Peter Henderson<\/em><\/p>\n\n\n\n

The Walpole Family and Edinburgh, 1910\u20131963 – Nicholas Redman<\/em><\/p>\n\n\n\n

The Society London Walking Tour, June 2023 – Mark Egerton<\/em><\/p>\n\n\n\n

Jerzy Duda-Gracz, Illustrator of Portrait of a Man with Red Hair<\/em> – Nicholas Redman<\/em><\/p>\n\n\n\n

Review: An Evening with the Book Society<\/em> by Maria Vassilopoulos – Rod Boroughs<\/em><\/p>\n\n\n\n

Walpoliana<\/p>\n\n\n\n

Hugh Walpole, \u2018The Glorious Abbey Ceremony\u2019, The Daily Mail<\/em>, 13 May 1937<\/p>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

2022<\/strong><\/p>\n\n\n\n

Vol. 3, No. 1, Spring 2022<\/strong><\/p>\n\n\n\n

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The Henrietta<\/em> Mystery – John Cameron Hartley<\/em><\/p>\n\n\n\n

Hugh Walpole’s Tree in the Shakespeare Garden in Cleveland, Ohio. Introduction by Mark Egerton. – Sally Goodall<\/em><\/p>\n\n\n\n

‘You can’t prove a negative’: Findings on the Critical Reputation of Hugh Walpole (Part 3) – Mark Egerton<\/em><\/p>\n\n\n\n

A visit to Brackenburn – Diana Durden<\/em><\/p>\n\n\n\n

Epigraphs in Hugh Walpole’s Books – Nicholas Redman<\/em><\/p>\n\n\n\n

Hugh Walpole in the Emmanuel College Archives: Part 2 – ‘The Special Collections Walpole Material’ – Rod Boroughs<\/em><\/p>\n\n\n\n

The National Trust’s Collection of Hugh Walpoles – Nicholas Redman<\/em><\/p>\n\n\n\n

Review of Alexis Weedon, The Origins of Transmedia Storytelling in Early Twentieth Century Adaptation <\/em>– John Cameron Hartley<\/em><\/p>\n\n\n\n

Walpoliana<\/p>\n\n\n\n

Hugh Walpole, ‘An Author Being Himself’, The Golden Book Magazine<\/em>, February 1932 – Introduction by Nicholas Redman<\/p>\n\n\n\n

Hugh Walpole, ‘The Chair with the Golden Thread’. The Princess Elizabeth Gift Book<\/em>, 1935 – Introduction by Nicholas Redman<\/p>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

Vol. 3, No. 2, Autumn 2022<\/strong><\/p>\n\n\n\n

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‘Five’s better than one’: Hugh Walpole and the Book Society – Dr Nicola Wilson<\/em><\/p>\n\n\n\n

Hugh Walpole and John Buchan: A record of their Friendship – George Gorniak<\/em><\/p>\n\n\n\n

A Visit to Canterbury in June – Nicholas Redman<\/em><\/p>\n\n\n\n

‘My manuscripts’: Hugh Walpole’s account of his Canterbury Collection – Peter Henderson<\/em><\/p>\n\n\n\n

Fearful Symmetry – John Cameron Hartley<\/em><\/p>\n\n\n\n

Gilbert Frankau, Francis Marion Crawford, Rudyard Kipling and Hugh Walpole – Nicholas Redman<\/em><\/p>\n\n\n\n

Walpole’s Model Ship in All Saints’ Church, St Andrews – Parker T. Gordon<\/em><\/p>\n\n\n\n

The Gerald Kelly Portrait – Nicholas Redman<\/em><\/p>\n\n\n\n

A Hollywood Screenwriter at Sea, 7-12 June 1934 – Rod Boroughs<\/em><\/p>\n\n\n\n

More on the Henrietta<\/em> Mystery – Nicholas Redman<\/em><\/p>\n\n\n\n

Walpoliana<\/p>\n\n\n\n

Hugh Walpole, ‘Mrs Comber and the Dog’, The Strand Magazine<\/em>, July 1914<\/p>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

2021<\/strong><\/p>\n\n\n\n

Vol. 2, No. 1, Spring 2021<\/strong><\/p>\n\n\n\n

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Hugh Walpole at the Front, or adventures in Partitioned Poland – Nicholas Redman<\/em><\/p>\n\n\n\n

Hugh Walpole’s Two Bookplates – Charles Nugent<\/em><\/p>\n\n\n\n

Staring into the Abyss : Hugh Walpole’s The Killer and the Slain <\/em>– John Cameron Hartley<\/em><\/p>\n\n\n\n

‘A foreigner’s apprehension of a country at its most critical time’: Hugh Walpole in Russia in World War 1 – Giannandrea Poesio and Alexis Weedon<\/em><\/p>\n\n\n\n

Hugh Walpole’s library sales at Christie’s: A Brief Case Study – Charles Nugent<\/em><\/p>\n\n\n\n

Becoming a Hollywood Screenwriter: Walpole’s ‘grand opening in films’ – Rod Boroughs<\/em><\/p>\n\n\n\n

Henry Galleon, Famous Old Novelist – Nicholas Redman<\/em><\/p>\n\n\n\n

Walpoliana<\/p>\n\n\n\n

Hugh Walpole’s Notes from a Northern Cottage, The Golden Book<\/em> Magazine<\/em>, October 1930 – Introduced by Mark Egerton<\/p>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

Vol. 2 No. 2, Autumn 2021<\/strong><\/p>\n\n\n\n

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Themes, Variations and a Different Maniac: Maradick at Forty<\/em> and Portrait of a Man with Red Hair<\/em> – John Cameron Hartley<\/em><\/p>\n\n\n\n

Hugh Walpole, G. Arnold Varty and the Library Sales at Christie’s – Charles Nugent<\/em><\/p>\n\n\n\n

Hugh Walpole on the Novel, and on Writing Books – Nicholas Redman<\/em><\/p>\n\n\n\n

Walpole and the Dickens Connection – George Gorniak<\/em><\/p>\n\n\n\n

Hugh Walpole, New Zealander, 1884-1889 – Nicholas Redman<\/em><\/p>\n\n\n\n

Some Thoughts on The Herries Chronicle<\/em> following the Death of Louise Page (1955-2020) – John Cameron Hartley<\/em><\/p>\n\n\n\n

Walpoliana<\/p>\n\n\n\n

Hugh Walpole, ‘I’m Glad you Got the Vote!’, The Woman’s Journal<\/em>, June 1929 – Introduction by Mark Egerton<\/p>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

2020<\/strong><\/p>\n\n\n\n

Vol. 1, No. 1, Spring 2020<\/strong><\/p>\n\n\n\n

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Hugh Walpole’s Lake District Novels – Grevel Lindop<\/em><\/p>\n\n\n\n

‘He loved every dog …’: Jean Paul’s Flegeljahre<\/em> – Nicholas Redman<\/em><\/p>\n\n\n\n

‘Almost the Goods’: Preliminary findings on the Critical Reputation of Hugh Walpole – Mark Egerton<\/em><\/p>\n\n\n\n

Walpole’s Introductions, Forewards and Prefaces – Nicholas Redman<\/em><\/p>\n\n\n\n

Umbrellas at Dawn: The Novels of Hugh Walpole – Richard Hughes<\/em><\/p>\n\n\n\n

Walpole on Film – Rod Boroughs<\/em><\/p>\n\n\n\n

Walter R. Sickert’s Portraits of Hugh Walpole – Nicholas Redman<\/em><\/p>\n\n\n\n

Walpole in Print – Mark Egerton<\/em><\/p>\n\n\n\n

Walpoliana<\/p>\n\n\n\n

Hugh Walpole reviews Christopher Isherwood, T.E. Lawrence and C.S. Lewis<\/p>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

Vol. 1, No. 2, Autumn 2020<\/strong><\/p>\n\n\n\n

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The Macabre and Supernatural in Hugh Walpole’s Novels and Short Stories – George Gorniak<\/em><\/p>\n\n\n\n

Hugh Walpole, Lauritz Melchior, Winifred Wagner, Adolf Hitler and Bayreuth – Nicholas Redman<\/em><\/p>\n\n\n\n

‘Unfortunately the power of these writers is not harnessed in the service of literature’ – Q.D. Leavis, Authoritarianism and Hugh Walpole – Mark Egerton<\/em><\/p>\n\n\n\n

Dedications in Hugh Walpole’s Works – Nicholas Redman<\/em><\/p>\n\n\n\n

Walpole in Print – The Dream of X<\/em> versus Valancourt Books – Mark Egerton<\/em><\/p>\n\n\n\n

Walpole the Undergraduate: the Emmanuel College Archives (Part 1) – Rod Boroughs<\/em><\/p>\n\n\n\n

Further notes on Jean Paul – Nicholas Redman<\/em><\/p>\n\n\n\n

Walpoliana <\/p>\n\n\n\n

‘Planning your winter reading’ by Sir Hugh Walpole<\/p>\n<\/div>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

The Society publishes two issues of The Hugh Walpole Review (ISSN 2633-8831) a year (Spring and Autumn). The Hugh Walpole Review is intended to function as a combination of an academic journal and a newsletter. The content is broad and features a mix of material following distinct approaches and tones. The Review is free to […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"footnotes":""},"class_list":["post-67","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/hughwalpole.org\/index.php\/wp-json\/wp\/v2\/pages\/67","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hughwalpole.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/hughwalpole.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/hughwalpole.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hughwalpole.org\/index.php\/wp-json\/wp\/v2\/comments?post=67"}],"version-history":[{"count":24,"href":"https:\/\/hughwalpole.org\/index.php\/wp-json\/wp\/v2\/pages\/67\/revisions"}],"predecessor-version":[{"id":280,"href":"https:\/\/hughwalpole.org\/index.php\/wp-json\/wp\/v2\/pages\/67\/revisions\/280"}],"wp:attachment":[{"href":"https:\/\/hughwalpole.org\/index.php\/wp-json\/wp\/v2\/media?parent=67"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}