The Society publishes two issues of The Hugh Walpole Review (ISSN 2633-8831) a year (Spring and Autumn).
The Hugh Walpole Review is intended to function as a combination of an academic journal and a newsletter. The content is broad and features a mix of material following distinct approaches and tones.
The Review is free to members of the Society. Individual copies are not available for sale until the year following publication.
Contributions to the Review and correspondence relating to the Society may be sent to the Editor at hughwalpolesociety@gmail.com.
The Hugh Walpole Review Vol. 1, No. 1, Spring 2020
Hugh Walpole’s Lake District Novels – Grevel Lindop
‘He loved every dog …’: Jean Paul’s Flegeljahre – Nicholas Redman
‘Almost the Goods’: Preliminary findings on the Critical Reputation of Hugh Walpole – Mark Egerton
Walpole’s Introductions, Forewards and Prefaces – Nicholas Redman
Umbrellas at Dawn: The Novels of Hugh Walpole – Richard Hughes
Walpole on Film – Rod Boroughs
Walter R. Sickert’s Portraits of Hugh Walpole – Nicholas Redman
Walpole in Print – Mark Egerton
Walpoliana
Hugh Walpole reviews Christopher Isherwood, T.E. Lawrence and C.S. Lewis
The Hugh Walpole Review Vol. 1, No. 2, Autumn 2020
The Macabre and Supernatural in Hugh Walpole’s Novels and Short Stories – George Gorniak
Hugh Walpole, Lauritz Melchior, Winifred Wagner, Adolf Hitler and Bayreuth – Nicholas Redman
‘Unfortunately the power of these writers is not harnessed in the service of literature’ – Q.D. Leavis, Authoritarianism and Hugh Walpole – Mark Egerton
Dedications in Hugh Walpole’s Works – Nicholas Redman
Walpole in Print – The Dream of X versus Valancourt Books – Mark Egerton
Walpole the Undergraduate: the Emmanuel College Archives (Part 1) – Rod Boroughs
Further notes on Jean Paul – Nicholas Redman
Walpoliana
‘Planning your winter reading’ by Sir Hugh Walpole
The Hugh Walpole Review Vol. 2, No. 1, Spring 2021
Hugh Walpole at the Front, or adventures in Partitioned Poland – Nicholas Redman
Hugh Walpole’s Two Bookplates – Charles Nugent
Staring into the Abyss : Hugh Walpole’s The Killer and the Slain – John Hartley
‘A foreigner’s apprehension of a country at its most critical time’: Hugh Walpole in Russia in World War 1 – Giannandrea Poesio and Alexis Weedon
Hugh Walpole’s library sales at Christie’s: A Brief Case Study – Charles Nugent
Becoming a Hollywood Screenwriter : Walpole’s ‘grand opening in films’ – Rod Boroughs
Henry Galleon, Famous Old Novelist – Nicholas Redman
Walpoliana
Hugh Walpole’s Notes from a Northern Cottage, The Golden Book Magazine, October 1930 – Introduced by Mark Egerton
The Hugh Walpole Review Vol. 2 No. 2, Autumn 2021
Themes, Variations and a Different Maniac: Maradick at Forty and Portrait of a Man with Red Hair – John Cameron Hartley
Hugh Walpole, G. Arnold Varty and the Library Sales at Christie’s – Charles Nugent
Hugh Walpole on the Novel, and on Writing Books – Nicholas Redman
Walpole and the Dickens Connection – George Gorniak
Hugh Walpole, New Zealander, 1884-1889 – Nicholas Redman
Some Thoughts on The Herries Chronicle following the Death of Louise Page (1955-2020) – John Cameron Hartley
Walpoliana
Hugh Walpole, ‘I’m Glad you Got the Vote!’, The Woman’s Journal, June 1929 – Introduction by Mark Egerton
The Hugh Walpole Review Vol. 3, No. 1, Spring 2022
The Henrietta Mystery – John Cameron Hartley
Hugh Walpole’s Tree in the Shakespeare Garden in Cleveland, Ohio. Introduction by Mark Egerton. – Sally Goodall
‘You can’t prove a negative’: Findings on the Critical Reputation of Hugh Walpole (Part 3) – Mark Egerton
A visit to Brackenburn – Diana Durden
Epigraphs in Hugh Walpole’s Books – Nicholas Redman
Hugh Walpole in the Emmanuel College Archives: Part 2 – ‘The Special Collections Walpole Material’ – Rod Boroughs
The National Trust’s Collection of Hugh Walpoles – Nicholas Redman
Review of Alexis Weedon, The Origins of Transmedia Storytelling in Early Twentieth Century Adaptation – John Cameron Hartley
Walpoliana
Hugh Walpole, ‘An Author Being Himself’, The Golden Book Magazine, February 1932 – Introduction by Nicholas Redman
Hugh Walpole, ‘The Chair with the Golden Thread’. The Princess Elizabeth Gift Book, 1935 – Introduction by Nicholas Redman
The Hugh Walpole Review Vol. 3, No. 2, Autumn 2022
‘Five’s better than one’: Hugh Walpole and the Book Society – Dr Nicola Wilson
Hugh Walpole and John Buchan: A record of their Friendship – George Gorniak
A Visit to Canterbury in June – Nicholas Redman
‘My manuscripts’: Hugh Walpole’s account of his Canterbury Collection – Peter Henderson
Fearful Symmetry – John Cameron Hartley
Gilbert Frankau, Francis Marion Crawford, Rudyard Kipling and Hugh Walpole – Nicholas Redman
Walpole’s Model Ship in All Saints’ Church, St Andrews – Parker T. Gordon
The Gerald Kelly Portrait – Nicholas Redman
A Hollywood Screenwriter at Sea, 7-12 June 1934 – Rod Boroughs
More on the Henrietta Mystery – Nicholas Redman
Walpoliana
Hugh Walpole, ‘Mrs Comber and the Dog’, The Strand Magazine, July 1914
The Hugh Walpole Review, Vol. 4, No 1, Spring 2023
A Guide to the Locations of the London Novels – Diana Durden
Hugh Walpole’s London Homes – Nicholas Redman
The Strange Case of Mr Perrin and Mr Traill – John Cameron Hartley
How I became a Walpole Collector – and started the first Hugh Walpole Society – Ann Bolam
The Story of Walpole’s Bogus Blue Plaque – Rod Boroughs
Working in Hollywood: A Comparative Study of James Hilton and Other English Novelists – Richard Hughes
Hugh Walpole and Epsom – Nicholas Redman
An Inventory of Copies of The Crystal Box – Charles Nugent
Books Dedicated to Hugh Walpole – Nicholas Redman
The Second Time as Farce: Michael Frayn puts Hugh Walpole on the Stage – John Cameron Hartley
Reginald Eves’s Three Portraits of Hugh Walpole – Nicholas Redman
Walpoliana
Hugh Walpole ‘Novelists’ Own Cottages – 4′, The Countryman, 1934. (Followed by Arnold Bennett’s comment on Walpole’s decision to move to the Lakes, and Walpole’s response.)
An Invitation to the Hugh Walpole Society London Walking Tour – Saturday 3 June 2023 – Nicholas Redman
The Hugh Walpole Review, Vol. 4, No 2, Autumn 2023
Looking for Zanti – John Cameron Hartley
From ‘Dear Mr Walpole’ and ‘Dear Miss Dane’ to ‘My Dear Hugh’ and ‘Dearest Winifred’: the Friendship of Clemence Dane and Hugh Walpole – Rose Collis
Joyce Elliot, a World War II Evacuee in Brackenburn – Dee MacLean
Hugh Walpole and the Queen Anne Style – Timothy Brittain-Catlin
A Postscript to the Series considering Walpole’s Critical Reputation – Mark Egerton
More Books Dedicated to Hugh Walpole – Nicholas Redman
Hugh Walpole and the 1937 Coronation – Peter Henderson
The Walpole Family and Edinburgh, 1910–1963 – Nicholas Redman
The Society London Walking Tour, June 2023 – Mark Egerton
Jerzy Duda-Gracz, Illustrator of Portrait of a Man with Red Hair – Nicholas Redman
Review: An Evening with the Book Society by Maria Vassilopoulos – Rod Boroughs
Walpoliana
Hugh Walpole, ‘The Glorious Abbey Ceremony’, The Daily Mail, 13 May 1937
The Hugh Walpole Review, Vol. 5, No 1, Spring 2024
Critical Mass … or a Humble Response – John Cameron Hartley
Charles Nugent and the Hugh Walpole Society – Nicholas Redman
When Hugh met Harold – the Beginning of an Ideal Friendship – Rod Boroughs
First Encounters with Hugh Walpole – George Gorniak
Clemence Dane’s The Moon is Feminine – a Belated Addition to the Hugh Walpole Collection – Peter Henderson
A Novel Collector – the Legacy left by Art Collector and Novelist Hugh Walpole – Michael Prodger
J.B. Priestley on Walpole’s Art Collection – Nicholas Redman
Hiding in Plain Sight – Walpole’s Self-portraits in his Fiction – John Cameron Hartley
The Society’s Visit to Emmanuel College, Cambridge, 14 October 2023 – Rod Boroughs
Walpole’s Lions – Nicholas Redman
Jorge Luis Borges – Walpole’s unlikeliest fan? – John Cameron Hartley
Hugh Walpole, The Golden Scarecrow, and the ‘horrible frontispiece’- Nicholas Redman
Review: Red Amber and Other Stories by Hugh Walpole – Grevel Lindop
Walpoliana
Mr Walpole, Guest Editor, The Golden Book Magazine, December 1933 – Mark Egerton
The Hugh Walpole Review, Vol. 5, No 2, Autumn 2024
‘The Most Perfect Place’ – Walpole’s Polperro – Nicholas Redman
A Circus of Speculation or the Elephant in the Room – John Cameron Hartley
First Encounters with Hugh Walpole – Diana Durden
The Dreamworld Narratives of Edgar Allan Poe and Hugh Walpole – George Gorniak
‘A little token of esteem’ from the Institute of Journalists – Nicholas Redman
Walpole Memorabilia in the Cheevers’ Family Collection – Tim Cheevers
A Public Lecture ‘in the Time of Bombing’ – Nicholas Redman
An Update on Epsom College – Rebecca Worthy
John Cornelius and the Sotheran’s Bookshop Window – Nicholas Redman
‘The Man Without Red Hair’. Interview with Hugh Walpole by Henry Albert Phillips. The Dearborn Independent, 1 May 1926
‘Polchester – Dream City’, by F.L. Black. Mapped by Paul Honoré. The Dearborn Independent, 20 August 1927